- المجال: Art history
- Number of terms: 11718
- Number of blossaries: 0
- Company Profile:
Yeni sonrası izlenimci çalışmaları Seurat ve Signac ve onların takipçileri için verilen belirli addır. Camille hem de Lucien Pissarro Neo-Impressionist faz ve onların çalışma tarzı güçlü izlerini taşımaya devam vardı. Yeni Divisionist tekniği kullanılarak tanımlanabilecek (genellikle halk ama yanlış Noktacılık, adı Signac reddedilmiş bir terim). İhlalinde optik renk karışımı kullanarak ışık ve renk bilimsel olarak izlenimci resim koymak için çalıştı. Onlar seyirci'nın gözünün içine karıştırmak bu yüzden yoğunluğunu azaltır, Palette renkleri karıştırma yerine birincil renk bileşenleri her bir renk ayrı ayrı küçük parmak izleri tuval üzerine yerleştirildi. Bu yöntem daha fazla aydınlatma gücü verdi optik karışık renkler beyaz doğru hareket ettirin. Bu teknik, M-E Chevreul, kimin De la loi du contraste simultanée des couleurs (üzerinde aynı anda kontrast renkler, hukuk) Paris'te 1839 yılında yayımlandı ve Fransız ressamlar o andan itibaren özellikle empresyonist ve sonrası İzlenimciler üzerindeki artan etkisi genel olarak, hem de Neo-Impressionists vardı renk kuramları bağlıdır.
Industry:Art history
This term came into use about 1980 to describe the international phenomenon of a major revival of painting in an Expressionist manner. It was seen as a reaction to the Minimalism and Conceptual art that had dominated the 1970s. In the USA leading figures were Philip Guston and Julian Schnabel, and in Britain Christopher Le Brun and Paula Rego. There was a major development of Neo-Expressionism in Germany, as might be expected with its Expressionist heritage, but also in Italy. In Germany the Neo-Expressionists became known as Neue Wilden (i. E. New Fauves). In Italy, Neo-Expressionist painting appeared under the banner of Transavanguardia (beyond the avant-garde). In France a group called Figuration Libre was formed in 1981 by Robert Combas, Remi Blanchard, Francois Boisrond and Herve de Rosa.
Industry:Art history
King Edward VII of Britain was the son of Queen Victoria whose longevity meant that he did not accede to the throne until 1901, when he was sixty. Initiated the Entente Cordiale which in 1904 marked new era of good relations with France. He died in 1910. As Prince of Wales he had been notorious for his love of good living and his reign, and the term Edwardian, is associated with the final phase of the long period of peace, prosperity and upper-class dominance and luxury that was brought to an end by the First World War. In France known as Belle Epoque. The great painter of the Edwardian rich was Sargent, followed by De Laszlo, but the life of more ordinary people was vividly depicted by e. G. Strang.
Industry:Art history
In printmaking any process used to create a raised or depressed surface. It is sometimes used to create false plate-marks in lithographs or screenprints.
Industry:Art history
An intaglio technique in which a metal plate is manually incised with a burin, an engraving tool like a very fine chisel with a lozenge-shaped tip. The burin makes incisions into the metal at various angles and with varying pressure which dictates the quantity of ink the line can hold—hence variations in width and darkness when printed. The technique of engraving metal dates from classical antiquity as a method of decorating objects. However it was not until about 1430 in Germany that engraved plates began to be used for making prints. Photoengraving is a process using acid to etch a photographically produced image onto a metal plate that can then be printed from.
Industry:Art history
Entropy is the inevitable and steady deterioration of a system or society. The concept is articulated by the Second Law of Thermodynamics (the tendency for all matter and energy in the universe to evolve towards a state of inert uniformity). In an art context the term became popular in late 1960s New York when the artist Robert Smithson used the term entropy in reference to his contemporaries, the Minimalist artists Donald Judd, Sol Le Witt, Dan Flavin and Larry Bell, whose highly simplified and static work he considered embodied the concept.
Industry:Art history
1960'ların sonunda dönem çevre sanat özellikle sanat için uygulamayı oldu — sık sık ama değil mutlaka yükleme şeklinde — bu doğal ve kentsel çevreye ilişkin sosyal ve politik konuları ele. Bir öncü bu Alman ressam Joseph Beuys ve Lothar Baumgarten önemli daha yeni uygulayıcısı oldu. (Toprak sanat kez yakından ilgili.) Ortamları: Yükleme sanat konusuna bakın.
Industry:Art history
Kelime saf basit, etkilenmeyen, saf anlamına gelir. Art terimi özellikle de bir sanat okulu veya Akademi herhangi resmi bir eğitim vardı sanatçılar için anlamına gelir. Saf sanat yürütme ve vizyon çocuksu sadeliği ile karakterize edilmiştir. Bu nedenle bu tarafından geleneksel sistem içinde oluşturulan sanat samimiyetsiz sofistike olarak gördükleri uzak almak isteyen modernistlerden değerli. Modern zamanların en ünlü naif ressam Henri Rousseau, o tutulan tam zamanlı işten Le Douanier (gümrük adam) bilinen var. Diğerleri Bauchant vardır ve İngiltere'de St Ives denizci Alfred Wallis, eserleri ünlü Ben Nicholson etkilemiştir. Saf sanatçılar bazen modern temelleri (ilkelcilik bakınız) adlandırılır. Kategori de yabancı sanat adı ne ile ya da Fransa, Art Brut ile çakışıyor. Bu suçlular ve ruhsal bozuklukları olan insanlardan gibi toplumun marjları üzerinde sanatçılar içerir.
Industry:Art history
Latin phrase meaning remember you must die. A memento mori painting or sculpture is one designed to remind the viewer of their mortality and of the brevity and fragility of human life in the face of God and nature. A basic memento mori painting would be a portrait with a skull but other symbols commonly found are hour glasses or clocks, extinguished or guttering candles, fruit, and flowers. Closely related to the memento mori picture is the vanitas still life. In addition to the symbols of mortality these may include other symbols such as musical instruments, wine and books to remind us explicitly of the vanity (in the sense of worthlessness) of worldly pleasures and goods. The term originally comes from the opening lines of the Book of Ecclesiastes in the Bible: 'Vanity of vanities, saith the Preacher, vanity of vanities, all is vanity. ' The vanitas and memento mori picture became popular in the seventeenth century, in a religious age when almost everyone believed that life on earth was merely a preparation for an afterlife. However, modern artists have continued to explore this genre.
Industry:Art history
Daha büyük bir heykel parçası için bir model. Genellikle inşaat içinde onların kendi büyüleyici değil, sanatçının ilk gerçekleşme bir fikrin en yakın taşıma.
Industry:Art history
